Telefunken’s TF11 is a FET condenser designed to deliver the desirable sonic characteristics of premium Austrian microphones of yesteryear to home studios on a budget. It has very, very low noise thanks to some of Shure’s own patented technology, which means you can crank the gain on a not-so-great preamp and keep the mic relatively noise-free. One of the unique features it has for recording vocals specifically is a built-in 3-stage pop filter to keep plosives and breaths to a minimum. It comes with a pad and HPF, as well as 3 different polar patterns (but for rap vocals, you’ll probably stick with cardioid). Shure’s workhorse large-diaphragm condenser is one of the most versatile mics the company makes. Like the TLM 103, a condenser like the C414 is not only one of the best mics for rap vocals around $1000, but for any other instrument you might record.Ĭost: $1279 slightly over $1000 brand new, though you can find them used for <$1000 Shure KSM44A In essence it has a modest presence boost with a capsule designed to reproduce the spatial details of a performance exceptionally well. What sets the XLII apart as a vocal mic is its similarity to the legendary C12. There are two versions of the C414: the XLII, mentioned here, and the XLS. ![]() It’s been said that a pair of 414s and 57s can record anything you want. It’s up there with Shure SM57 in terms of universal usage in just about every studio in the world. The C414 is one of the most famous condensers of all time.
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